@尊重智慧財產權,請同學勿隨意影印教科書 。 Please respect the intellectual property rights, and shall not copy the textbooks arbitrarily.

科目代碼	AHM0237	課程名稱	當代策展理論與實務
英文名稱	Theory and Praxis in Contemporary Curatorship of Art
全/半年	半	必/選修	選修
學分數	3.0	每週授課時數	正課時數: 3.0 小時, 實驗時數: 0.0 小時
先修課程
課程簡介	This course addresses three key aspects of contemporary curatorship globally—collection management, exhibition development, and professional collaboration, as well as issues of particular relevance in the Asia Pacific. The first section (sessions 2–6) deals with curatorship of collections—beginning with the historical development of the role of the curator in public museums with collections, before looking at the acquiring, researching, cataloguing, conserving, and de-accessioning of artworks. The second section (sessions 7–10) focuses on exhibition development—beginning with a brief history of major recurrent international exhibitions, including the Paris Salon, the Royal Academy of Arts exhibitions, the Venice Biennale, and documenta. Then we will consider the varied scholarly, economic, social, and political aims of the many kinds of exhibitions staged today—whether large or small, recurrent or one-off—and how exhibition conception and execution contribute to these ends. The third section (sessions 11–13) concerns curators’ working relationships, with artists, academics, and communities. Demands on public- sector curators have grown significantly in recent decades. In addition to traditional expectations that curators have expertise about collections, curators are increasingly asked to contribute to attracting and engaging with large and diverse audiences. The fourth section (sessions 14–16) attends to issues for curatorship in Taiwan, including alternative and emerging forms of curatorship in Taiwan, curatorship of Indigenous Taiwanese art, and curating Taiwanese art internationally, at the Venice Biennale, documenta, and the Asia-Pacific Triennial of Contemporary Art, among other forums.
課程目標		對應系所核心能力
1.　For students to have first-hand experience of, and an understanding of the operations of, a range of public and private organizations that exhibit art in Taiwan		碩士: 　1-1 知識/認知:具備作品分析與文獻資料蒐集的能力 　2-2 職能導向: 具備應用藝術史專門知?從事相關實務工作(講解、教導、傳播、寫作、編輯等等)的能力。
2.　For students to gain a greater knowledge and understanding of the key practices and principles involved in the contemporary curatorship of art and across a range of related museum and arts industry activities, in Taiwan, across Asia, and internationally		碩士: 　4-1 價值/倫理: 具備文物保存與維護的觀念。 　4-2 價值/倫理: 具備宏觀的國際視野，尊重藝術文化的多元與差異。
3.　For students to be able to research, analyse, discuss, and write about issues in the contemporary curatorship of art following academic conventions		碩士: 　1-1 知識/認知:具備作品分析與文獻資料蒐集的能力 　1-2 知識/認知：具備藝術史專題研究的能力。 　3-2 個人特質: 具備獨立思考與批判反省的能力。
4.　For students to develop their skills in presenting interpretations about art and objects to specialists and non-specialists		碩士: 　2-2 職能導向: 具備應用藝術史專門知?從事相關實務工作(講解、教導、傳播、寫作、編輯等等)的能力。 　3-1 個人特質: 具備審美能力與人文關懷。
5.　For students to undertake exhibition curation in a virtual environment		碩士: 　2-1 職能導向:具備藝術鑑賞的基礎能力。 　2-2 職能導向: 具備應用藝術史專門知?從事相關實務工作(講解、教導、傳播、寫作、編輯等等)的能力。
6.　For students to become more conscious of the impact of curatorship on how art is produced, experienced, appreciated, and conserved in contemporary society		碩士: 　3-1 個人特質: 具備審美能力與人文關懷。 　4-1 價值/倫理: 具備文物保存與維護的觀念。